u魅影 魅影国外版本

很多朋友对于u魅影和魅影国外版本不太懂，今天就由小编来为大家分享，希望可以帮助到大家，下面一起来看看吧！

概述

歌剧魅影（The Phantom of the Opera）是一部安德鲁·洛伊·韦伯（Andrew Lloyd Webber）作曲的百老汇音乐剧。又译做歌声魅影、剧院魅影或歌剧院的**。

1986年首演，于1988年获得七项托尼奖，是史上*成功的音乐剧之一。

剧院魅影可以说是一部折射着后现代魅力的剧作，首先它成功的改编了盖斯东·勒鲁（Gaston Leroux，1868-1927）的原作**，既保留了原作的风格又使之更适合舞台演出，提升了作品的可看*，其次，巧妙的戏中戏令观众徘徊于现实与虚幻之间。尤其是追逐**的那一场戏，整个剧院，台上台下、四面八方响起了**的声音，使观众置身其中，因为那句“我在这里”似乎就在他们的身边，就在隔壁的**，而那幕吊灯突然坠落的戏也着实令气氛紧张刺激到*点，前排观众的惊叫与台上演员的呼声连成一片，在这方面，舞台设计玛莉亚·布琼森自然功不可没。

在全剧中，一首“All I Ask of You”的旋律反复出现，罗尔与**对这首歌的不同演绎表现了他们各自对于女主角克莉丝汀不同的爱情，*后这一主题在管弦乐中浮现，显示了爱情*终战胜了悲剧。

剧情简介

序幕

故事开始在1905年，年迈的贵族Raoul Vicomte De Chagny正在巴黎歌剧院参加一场拍卖会。拍卖师拍到一个八音盒。在竞拍过程中，参与竞价的Giry夫人见Raoul想要这个八音盒，就放弃了。Raoul如愿得到了八音盒。随后，拍卖师又提到了下一个拍品：在**的Phantom**中摔得支离破碎的大吊灯(Chandelier)。为了让大家都能看清楚修复后的吊灯，拍卖师开启了吊灯上新安装的电灯，一时灯火通明，Phantom的主题音乐响起，舞台上的大吊灯也随之升起。

**幕

舞台灯光恢复正常，而时间已经回到了30年前。那是巴黎歌剧院的舞台上，艺术总监Reyer先生正在帮助首席女高音Carlotta和首席男高音 Piangi(Carlotta的情夫)排演歌剧Hannibal。而Giry夫人也正在指导伴唱伴舞的女孩子们进行练习。这时，即将退休的老经理带来了两位客人Firmin和Andre，他们两位即将接任歌剧院经理的位置。正当Carlotta在为两位新**献上一首当晚准备演出的Think of Me时，突然从舞台天幕上掉下来的一块布景引起了骚乱，大家纷纷猜测这是歌剧院的**(Phantom of the Opera)干的。Carlotta耍起小脾气不肯继续排练，并且离场声称不再参加歌剧院的演出。正在焦急的时候，年轻的伴舞演员Meg Giry(Giry太太的女儿)提出让她的同伴，也是伴舞的Christine试试看，并得到了Giry夫人的支持。结果，在排练场和当晚的演出中， Christine的歌喉征服了所有的人，包括当晚到场观看演出的年轻的贵族Raoul，他也是歌剧院的资助人。

回到后台，Meg问Christine是谁教会她这么美妙的歌喉，Christine却说不知道，并提起她去世了的父亲曾经提到过一个“音乐天使”(Angel of Music)会来保护并指导她。而她就是在自己的化妆间里经常听到一个神秘的声音来指引她练习，她觉得这就是那个天使。正在这时，Raoul专门来拜访了，原来Raoul认出了台上的Christine就是他儿时的同伴。Raoul准备邀请Christine共进晚餐，于是就出门去取放在外面的帽子。这时，房间里又出现了Phantom的声音。Phantom愤恨地责备Raoul企图**Christine离开音乐的王国。Christine被 Phantom的声音震慑并迷惑，通过Phantom设置在穿衣镜上的**，跟随Phantom走入暗道。等Raoul回到屋内，已经空无一人。

Phantom用歌声**Christine来到他居住的地下湖心的屋内。在这里，他继续用Music of the Night**Christine的心智以及表达自己的爱意。*后，Christine在看到Phantom做的穿戴婚纱的自己的蜡像后，在 Phantom的美妙的歌声中晕厥过去。Phantom让Christine躺在**休息，自己则埋头进行新的歌剧的创作。

第二天，Christine慢慢醒来，先发现了身边的一个小八音盒(就是Raoul后来拍得的那个)，渐渐又回忆起昨晚是如何跟随Phantom下到这里的。好奇心驱使她壮胆趁Phantom不备而摘下了Phantom的面具。Phantom惊恐万状，恶*地诅咒Christine的好奇心，说再也不会让Christine自由，转念又劝Christine不要害怕，相信随着对他的了解，恐惧终究会转成爱意。并告诉Christine他准备送她回去。

当Phantom通过他自己设计的暗门突然出现在后台时，正好碰到舞台工人Buquet在演示给剧院的女孩子们如何通过高举双手保护自己不被旁遮普套索套住。Buquet所言所行一切都被Phantom看在眼里。路过并目睹一切的Giry夫人警告Joseph不要把这件事情告诉任何人，否则将会遭致 Phantom的可怕报复。

Phantom把Christine带走后，剧院里着实忙乱了起来。Firmin和Andre看着演出门票飞快地售出，心里又高兴又着急，高兴的是自己的业务不错，着急的是Carlotta使*子不肯来，Christine虽然出人意料地成功，但是又突然失踪。正在忙乱时，他们各自收到了写在信纸上署名 O.G.的命令，要求赶快补发积欠他的工资，并且将Christine取代Carlotta成为剧院的首席女高音。他们正在猜测这会是哪个疯子的行为时， Raoul拿着他收到的一张字条也来质问他们Christine到底在哪儿，原来字条上威胁说如果谁想把Christine占为己有，就再也不要想看到她了。三人正琢磨着呢，Carlotta突然出现在剧院，出示了又一张写着威胁她不许阻拦Christine的锦绣前程的字条，并且不听解释指责Raoul在背后操纵一切，就是为了捧红Christine。正在乱的不可开交的时候，Giry夫人带着Meg前来告诉大家Christine已经回来，只是因为很疲惫所以谁也不能见，并且带来了一张字条，上面大意是：今晚演出的歌剧Il Muto必须由Christine来演主角伯爵夫人，Carlotta只能演一个不出声的传令仆从，而且剧院的5号**必须给Phantom空出，好让他象以往那样前来观赏。如果这些命令没有被遵守，一场无法预料的灾难将会降临到歌剧院的头上。

Carlotta自然无法接受这种安排，她歇斯底里地咒骂着，吓坏了两位经理，于是Firmin和Andre连忙用一曲Prima Donna来安慰Carlotta，总算让Carlotta安静了下来。而且Firmin不顾Giry夫人的劝阻，公开宣布Christine出演传令仆从，Carlotta出演主角伯爵夫人。神通广大的Phantom果然听到了，并且发誓要让他们知道自己的厉害。

当晚，演出开始了，为了帮助Firmin他们阻挠Phantom的计划，Raoul坐入5号**。Phantom被他们的轻蔑激怒了，先是将舞台上傲慢的Carlotta的嗓音变成了蛤蟆叫，导致演出的中断，后来又在芭蕾表演的时候把已经被旁遮普套索绞死的Buquet的尸体从舞台天幕上吊下来，引起了观众们的慌乱。Christine和Raoul趁着大家的惊慌，逃到了屋顶上。在那里，Christine向Raoul诉说了自己的遭遇，Raoul一面安慰她说这一切都是梦境，一面向Christine表示了埋藏已久的爱意，两人合唱了一曲All I Ask of You互表心意。然而这一切还是没有逃出躲藏在暗处的Phantom的监视。在Raoul和Christine相拥离开屋顶后，Phantom痛苦于 Raoul对Christine的迷惑以及Christine的背叛，决定诅咒他们。在Il Muto演出结束演员谢幕时，剧院的大吊灯坠下砸在Christine跟前，毫无疑问，这就是Phantom的愤怒所示！

(**幕完)

第二幕

幕间曲过后，舞台上出现的是戴着面具的Firmin和Andre，时间已经是继吊灯坠下后大概6个月了。已经是新的一年。期间，Phantom没有再来打扰任何人，新的吊灯也安装好了，于是人们在剧院里举办了一次化妆舞会(Masquerade)来庆祝这新的生活。已经秘密订婚的Christine和 Raoul也在人群中携手共舞。虽然Raoul很希望公开这个秘密，但是Christine依然害怕Phantom会知道后威胁他们的生活，要求 Raoul继续保密，并把Raoul给的订婚戒指串在项链上，而不是戴在手上。Raoul虽然不是心甘情愿，但也无可奈何。

正在欢乐进行到**的时候，突然出现一个戴着红色死神面具的客人，大家都被这奇异吓人的装束震住了。来者正是销声匿迹许久的Phantom。他带来了刚刚写就的一出歌剧《唐璜的胜利》（Don Juan Triumphant）要求剧院上演。并且，在再度消失前，他从Christine脖子上夺走那枚戒指，告诉她他还没有放弃她。

舞会不欢而散，Raoul见Giry夫人心事重重，就上前询问她是否知道Phantom的底细。Giry夫人在Raoul的苦苦劝说下，这才道出 Phantom的来历。原来几年前，巴黎来过一个江湖马戏团，除了表演杂耍，他们还展出一些畸形人供大家**，其中有一个被关在笼子里的怪脸人，却是一个知识渊*的建筑师，音乐家。后来，这个怪脸人逃出了笼子，大家遍寻不着，都以为他已经死在某个角落。而Giry夫人则清楚意识到，之后出现在歌剧院的 Phantom，就是这个怪人。Raoul听到这一切，心中飘过一丝寒衣，还想继续追问，但是Giry夫人已经不敢再说下去，他也只得作罢。

两位经理对着新的总谱一筹莫展，说实话，他们不想听从Phantom的命令，但是实在害怕再来一次以外。这时，他们又收到了Phantom发来的字条，上面对歌剧院的人事安排等做出了一系列的指示。接着，Carlotta和Piangi又闯了进来，大呼小叫，原来Phantom给Carlotta在戏中安排的是一个只有合唱的小配角角色。Carlotta无法接受，说这是对她的侮辱。Raoul带着Christine前来询问两位经理到底有无决断，是否让 Christine出演主角。而Giry夫人又带着另一张字条匆匆赶来。Phantom在这张*后指示中**他的要求必须都得到满足，否则，更大的灾难将会等着他们。大家一时没了主意

Raoul突然觉得这是一个很好的机会，便跟两位经理商议一切按照Phantom的意思办，但是另外他们将布置岗哨，*捕Phantom。Giry夫人听了十分惊慌，*力劝说他们，但是三人不听，Christine虽然百般恳求他们不要让她陷于其中，但是经不起Raoul的规劝，遂答应了他。当然， Phantom也没有错过他们的谈话。

于是乎，一切都开始行动，Reyer先生开始给大家排练新的歌剧，在嘈杂的排练房里，正当人们忙碌q且紧张到了*点的时候，突然放置一旁的钢琴在没有**奏得情况下自己弹出了排练曲目。惊惶失措的Christine夺路逃出，来到了父亲的墓地前，向墓碑上的父亲塑像诉说着自己的忧虑和恐慌，希望能得到他的帮助。突然，Phantom又出现在了她面前。Phantom告诉她自己就是他父亲说的Angel of Music，就是来引导和保护她的。被过度惊吓的Christine再次被Phantom迷惑住。这时Raoul也闻讯赶到了墓地，并力劝 Christine不要相信Phantom的话。Phantom企图挑逗Raoul上前跟他决斗，但是Raoul被Christine制止并一起逃离了墓地。Phantom愤怒之余，发誓要报复他们两个人。

地点回到剧院，Raoul和两位经理正在紧急安排**布哨布岗，准备在《唐璜的胜利》的首演式上，在5号**抓住Phantom。不过这一切都没有逃过 Phantom的耳目，Phantom的声音在剧院各个角落响起，嘲笑他们的狂妄，并且挑战他们说如果真想抓他，就尽快开演《唐璜的胜利》。Raoul也决定破釜沉舟，和Phantom做*后一次较量。

演出在合唱中开始了，按照剧情。Piangi扮演的Don Juan和其仆从为了设计**由Christine扮演的女主人公，进入舞台上的隔间换上仆从的服装。但是Phantom早已设计好了在隔间内用旁遮普套索吊死了Piangi，然后换上了剧情中的斗篷，遮住自己的脸，出来和Christine一起演唱了剧中一段优美的咏叹调The Point of No Return。演出中，Christine偶然触碰到了Phantom的面部，发现对方并不是Piangi，就掀开了斗篷，一时间大家被舞台上的突变吓住，而Raoul为了不伤害Christine，也阻止了士兵开枪。Phantom按捺不住内心的渴望，用柔和的嗓音，向Christine表明爱意，而 Christine也勇敢地揭下了Phantom的面具，让观众们都看到了Phantom的扭曲的相貌。在一片惊呼声中，Phantom带上 Christine，再次消失在众目睽睽之前，让Raoul精心布置的陷阱落了空。同时，舞台上的人们也发现了早已死在布景后面的Piangi。

Raoul一时没了主意，但是Giry夫人提醒他赶快跟着她去地下室，并嘱咐他一定要记住将胳臂举过头顶，以防Phantom再次使用旁遮普套索**他们。同时，几乎所有的人都出动，一边高喊抓住**，一边到处查找Phantom的踪影。

Phantom果然又带着Christine来到地下室，他正沉浸在小小获胜的喜悦中，突然又被远远传来的人们的叫喊声搅乱心情。他质问 Christine，为什么这个世界会对他这么不公平，仅仅因为他长了一副令人可怕，连他的母亲都不忍正眼以对的面容。Christine告诉他，之所以觉得世界对他不公，不是世人的错误，而是因为他自己囚禁了自己的灵魂，并且与世人为敌，为了达到目的而不惜**或者夺取他人所爱。所以，她对他的感情，已经从同情转为憎恨，而没有丝毫的爱。

正在这时，Raoul已经赶到地下室，但是被阻隔在铁栏之外。他哀求Phantom可以对他做任何事，但是一定放过Christine。Phantom被他的打搅激怒，趁他不防，用旁遮普套索套住了Raoul，并且逼迫Christine做出选择：

1）要么用Raoul的生命换取她的自由；

2）或者披上Phantom准备的婚纱，换取Raoul的生命。尽管Raoul表示自己可以为爱牺牲生命而在所不惜，但是Christine不忍**的牺牲。她*终鼓起勇气，告诉Phantom，她将告诉他，爱的力量，会有多么强大，上帝终究会拯救Phantom的灵魂。然后，给了Phantom一个吻……

尾声

一个意味深长的吻，如同天上的造物主的光辉，照亮了Phantom的封闭的心灵。Phantom被Christine的坚定的爱的力量彻底折服。他松开了 Raoul脖子上的旁遮普吊索，对Christine和Raoul挥了挥手，让他们赶快离开，并且不要再回来也不要跟旁人提起这里的一切。

Christine和Raoul相依走到门口，突然Christine回头跑到Phantom身边，将Phantom之前给她戴上的戒指摘下，还给 Phantom。Phantom强捺悲哀，目送Christine离去。然后悲哀地唱出“It's over now, the music of the night--”，然后慢慢地走向舞台一角的王座。

正在此时，Meg带着众人也找到了地下室这里，在她们进到地下室之前，Phantom扬起黑斗蓬遮住自己，等Meg来到王座前揭开斗蓬，Phantom早已不知去向。王座上，只留下Phantom的一只面具。

（剧终）

电影

《歌剧魅影》，2004年由乔·舒马赫导演，杰拉德·巴特勒、埃米·罗森、帕特里克·威尔森、米兰达·理查森等主演的一部**

剧情同舞台剧版基本一致，只在个别背景和细节上有所改动。电影的*后一幕，年迈的Raoul买下八音盒，献在已逝的Christine的墓前，而在墓前，他又发现了应该是由Phantom献上的系有黑缎带的玫瑰花，玫瑰花在30年后，人们已忘却了那段往事的时候，绚烂又孤单的开放着，留给观众无限的感叹与遐想……

详细资料如下：

导演

乔·舒马赫Joel Schumacher

编剧

安德鲁·洛伊德·韦伯Andrew Lloyd Webber.....(screenplay)&

安德鲁·洛伊德·韦伯Andrew Lloyd Webber.....(stage musical)/(screenplay)&

乔·舒马赫Joel Schumacher.....(screenplay)

Gaston Leroux.....(novel Le Fantôme de L'Opéra)

演员

杰拉德·巴特勒Gerard Butler.....The Phantom

埃米·罗森Emmy Rossum.....Christine

帕特里克·威尔森Patrick Wilson.....Raoul

米兰达·理查森Miranda Richardson.....Madame Giry

**类型：

爱情/奇幻/惊悚/剧情/歌舞

片长：

143 min

**/地区：

美国英国

对白语言：

英语法语意大利语西班牙语

色彩：

彩色黑白

混音：

杜比数码环绕声 DTS SDDS

评级：

Rated PG-13 for brief violent images.

级别：

Australia:PG Singapore:PG Argentina:13 USA:PG-13 Brazil:14 Canada:PG Chile:14 Finland:K-11 UK:12 Norway:11 UK:12A Germany:6 Ireland:12 South Korea:12 Switzerland:12 Switzerland:14 Malaysia:U Greece:K Philippines:R-13 Czech Republic:12 Taiwan:PG-12

制作成本：

,000,000(estimated)

版权所有：

The Scion Films Phantom Production Partnership

拍摄日期：

2003年9月15日- 2004年1月15日

音乐剧《歌剧魅影》中的《the phantom of opera》

歌曲附加歌词：

《The music of the night(夜的乐章)》歌词

Night time heightens each sensation

Darkness wakes and stirs imagination

Silently the senses abandon their defenses

Helpless to resist the notes I write

For I compose the music of the night

Slowly, gently, night unfurls its splendor

Grasp it! tremulous and tender

Hearing is believe, music is deceiving

Hard as lighting, soft as candle light

Dare you trust the music of the night.

Close your eyes will only tell the truth

And the truth isnt what you want to see

In the dark it is easy to pretend

That the truth is what it ought to be

Softly,gently, music shall caress you

Hear it! feel it! secretly possess you

Open up your mind,let your fantasies unwind

IN this darkness which you know you cannot fight

The darkness of the music of the night

Close your eyes start a journey to a strange new world

Leave all thoughts of the world you knew before

Close your eyes and let music set you free

Only then can you belong to me

Floaing, falling, sweet intoxication

Touch me! trust me! savor each sensation

Let the dream begin, let your darker side give in

To the power of the music that I write

The power of the music of the night

You alone can make my song take flight

Help me make the music of the night.

all i ask of you歌词

no more talk of darkness,

forget these wide-eyed fears.

i’m here,

nothing can harm you-

my words will warm and calm you.

let me be your freedom,

let daylight dry-your tears.

i’m here,

with you, beside you,

to guard you

and to guide you...

christine

say you love me

every waking moment,

turn my head

with talk of summertime...

say you need me with you,now and always...

promise me that all

you say is true-

that’s all i ask of you...

raoul

let me be your shelter,

let me be your light.

you’re safe:

no-one will find you.

your fears are far behind you...

christine

all i want is freedom,

a world with no more night...

and you always beside me

to hold me and to hide me...

raoul

then say you’ll share with me one love,one lifetime

iet me lead you

from your solitude...

say you need me with you

here, beside you...

anywhere you go,

let me go too-

christine,

that’s all i ask of you...

christine

say you’ll share with me one love, one lifetime...

say the word

and i will follow you...

both

share each day with me, each night, each morning...

christine

say you love me...

raoul

you know i do...

both

love me-

that’s all i ask of you...

(they kiss)

love me-

that’s all i ask of you..

think of me英文歌词(Encore版）Christine- Think of methink of me fondly,when we’ve saidgoodbye.Remember meonce in a while-please promise meyou’ll try. When you findthat, onceagain, you longto take your heart backand be free-if youever find a moment,spare a thoughtfor me... We never saidour lovewas evergreen,or as unchangingas the sea-but ifyou can stillremember,s*** and thinkof me... Think of all the thingswe’ve shared and seen-don’t think about the thingswhich might have been... Think of me,think of me waking,silent andresigned. Imagine me,trying too hardto put youfrom my mind. Recall those days,look back on all those times,think of the thingswe’ll never do-there willnever bea day, whenI won’t thinkof you... Raoul-Can it be?Can it be Christine? What a change!You’re reallynot a bitthe gawkish girlthat once you were... She maynot rememberme, butI rememberher...Christine- We never saidour lovewas evergreen,or as unchanging as the sea-but pleasepromise methat sometimesyou will thinkah-ah-ah-ah-aaah-of me! Think of methink of me fondly,when we’ve saidgoodbye.Remember meevery so often- promise meyou’ll try.When you findthat, onceagain, you longto take your heart backand be free-if youever find a moment,spare a thoughtfor me...We never saidour lovewas evergreen,or as unchangingas the sea-but ifyou can stillremember,s*** and thinkof me...

Angel of Music英文歌词：（The Phantom of the Opera录音版）Phantom’s voice Bravi, bravi, bravissimi... Meg Where in the world have you been hiding?Really, you were perfect!I only wish I knew your secret!Who is this new tutor? Christine Father once spoke of an angel,I used to dream he’d ***ear.Now as I sing I can sense him,And I know he’s here. Here in this room he calls me softly.Somewhere inside, hiding.Somehow I know he’s always with me,He-- the unseen genuis. Meg Christine, you must have been dreaming,Stories like that can’t come true.Christine, you’re talking in riddles,And it’s not like you. Christine Angel of Music!Guide and guardian!Grant to me your glory! Meg Who is this angel?This... both Angel of Music!Hide no longer!Secret and strange angel. Christine He’s with me, even now... Meg Your hands are cold... Christine All around me... Meg Your face, Christine, it’s white... Christine It frightens me... Meg Don’t be frightend...

Little Lotte英文歌词

RAOUL: Christine Daae, where is your scarf?

CHRISTINE: Monsieur?

RAOUL: You can’t have lost it. Not after all the trouble I took. I was just fourteen and soaked to the skin...

CHRISTINE: Because you had run into the sea to fetch my scarf. Oh, Raoul. So it is you!RAOUL: Christine. Little lotte Let your mind wander...CHRISTINE: Remember that, too...?RAOUL: Little lotte thought: Am I fonder of dolls,BOTH: Or of goblins or shoesCHRISTINE: Or of riddles or frocks...RAOUL: Those picnics in the attic? or of chocolatesCHRISTINE: Father playing the violin...RAOUL: As we read to each other dark stories of the North...CHRISTINE: No, what I love best, Lotte said, is when I’m asleep in my bed, and the Angel of Music sings songs in my head!"BOTH: the Angel of Music sings song in my head!CHRISTINE: Father said,"When I’m in heaven, child, I will send the Angel of Music to you". Well, father is dead, Raoul, and I have been visited by the Angel of Music.RAOUL: There’s no doubt of that. But now, we’ll go to supper!CHRISTINE: No, Raoul, the Angel of Music is very strict.RAOUL: I shan’t keep you up late!CHRISTINE: No, Raoul...RAOUL: You must change. I must get my hat. Two minutes Little Lotte.CHRISTINE: Raoul! Things have changed, Raoul

The Mirror英文歌词PHANTOM’S VOICEInsolent boy!This slaveof fashionbasking in yourglory!Ignorant fool!This braveyoung suitor,sharing in mytriumph!CHRISTINE(spell-bound)Angel! I hear you!Speak-I listen...stay by my side,guide me!Angel, my soul was weak-forgive me...enter at last, Master!PHANTOM’S VOICEFlattering child,you shall know me,see why in shadowI hide!Look at your facein the mirror-I am thereinside!(The figure of the PHANTOM becomes discernible behind the mirror)CHRISTINE(ecstatic)Angel of Music!Guide and guardian!Grant to me yourglory!Angel of Music!Hide no longer!Come to me, strangeangel...PHANTOM"S VOICEI am your Angel...Come to me: Angel of Music...(CHRISTINE walks towards the glowing, shimmering glass. Meanwhile, RAOUL has returned. He hears the voices and is puzzled. He tries the door It is locked)RAOULWhose is that voice...?Who is that in there...?(Inside the room the mirror opens. Behind it, in an inferno of white light, stands the PHANTOM. He reaches forward and takes CHRISTINE firmly, but not fiercely, by the wrist. His touch is cold, and CHRISTINE gasps)PHANTOMI am your Angel of Music...Come to me: Angel of Music...(CHRISTINE dis***ears through the mirror, which closes behind her The door of the dressing room suddenly unlocks andngs open, and RAOUL enters to find the room empty)RAOUL Christine! Angel!

learn to be lonely学会孤单

Child of the wilderness

Born into emptiness

Learn to be lonely

Learn to find the way in darkness

Who will be there for You

Comfort and care for You

Learn to be lonely

Learn to be Your one companion

Ever dream out in the world

There are arms to hold You

You’ve always known

Your heart was on its own

So laugh in Your loneliness

Child of the wilderness

Learn to be lonely

Learn how to love

Life that is lived alone

Learn to be lonely

Life can be lived

Life can be loved

Alone.

learn to be lonely学会孤单

被抛弃的孩子

生来空虚

学着孤*

学着在黑暗的路中寻找

那个等着你，抚慰你，关心你的人

学着孤*

学着一人作伴

梦想着，整个世界

到处是拥抱你的臂膀

正如你心所想

你*自担当

那么，孤*时放声大笑

被抛弃的孩子

学着孤*

学会去爱

孤单的生活

学着孤*

我们可以*自生活

我们可以*自去爱

Phantom of the Opera

L I B R E T T O

Prologue-The Stage of the Paris Opera, 1911

AUCTIONEER:

Sold. Your number, sir? Thank you.

Lot 663, then, ladies and gentlemen:

a poster for this house's production of"Hannibal" by Chalumeau.

PORTER:

Showing here.

AUCTIONEER:

Do I have ten francs? Five then. Five I am bid.

Six, seven. Against you, sir, seven.

Eight. Eight once. Selling twice.

Sold, to Raoul, Vicomte de Chagny.

Lot 664: a wooden pistol and three human skulls

from the 1831 production of"Robert le Diable" by Meyerbeer.

T en francs for this. Ten, thank you.

Ten francs still. Fifteen, thank you, sir Fifteen I am bid.

Going at fifteen. Your number, sir?

665, ladies and gentlemen:

a papier-mache musical box, in the shape of a barrel-organ.

Attached, the figure of a monkey in Persian robes playing the cymbals.

This item, discovered in the vaults of the theatre, still in working

order.

PORTER:

Showing here.

AUCTIONEER:

May I start at twenty francs? Fifteen, then?

Fifteen I am bid. Sold, for thirty francs to the Vicomte de Chagny.

Thank you, sir.

RAOUL:

A collector's piece indeed... every detail exactly as she said...

She often spoke of you, my friend....Your velvet lining, and your

figurine of lead...

Will you still play, when all the rest of us are dead?

AUCTIONEER:

Lot 666, then: a chandelier in pieces.

Some of you may recall the strange affair of the Phantom of the Opera:

a mystery never fully explained.

We are told, ladies and gentlemen,

that this is the very chandelier which figures in the famous disaster.

Our workshops have repaired it and wired parts of it for the new

electric light,

so that we may get a hint of how it may look when reassembled.

Perhaps we may frighten away the ghost of so many years ago

with a little illumination, gentlemen?

Hannibal

CARLOTTA:

This trophy from our saviours, from our saviours!

From the enslaving force of Rome!

GIRL'S CHORUS:

With feasting and dancing and song, tonight in celebration, we greet

the victorious throng, returned to bring salvation!

MEN'S CHORUS:

The trumpets of Carthage resound! Hear, Romans, now and tremble! Hark

to our step on the ground!

ALL:

Hear the drums-- Hannibal comes!

PIANGI:

Sad to return to find the land

we love threatened once more by Roma's far-reaching grasp,

REYER:

Signor... if you please:"Rome".

We say"Rome' not"Roma"

PIANGI:

Si, si, Rome, not Roma. Is very hard for me.

LEFEVRE:

This way, gentlemen, this way.

Rehearsals, as you see, are under way, for a new production of

Chalumeau's"Hannibal".

Ladies and gentlemen, some of you may already, perhaps, have met M.

Andre and M. Firmin...

REYER:

I'm sorry, M. Lefevre, we are rehearsing.

If you wouldn't mind waiting a moment?

LEFEVRE:

My apologies, M. Reyer. Proceed, proceed...

REYER:

Thank you, monsieur.

"Sad to return..." Signor...

LEFEVRE:

M. Reyer, our chief repetiteur. Rather a tyrant, I'm afraid.

PIANGI:

Sad to return to find the land we love

threatened once more by Rome's far-reaching grasp.

Tomorrow, we shall break the chains of Rome.

Tonight, rejoice- your army has come home.

LEFEVRE:

Signor Piangi, our principal tenor.

He does play so opposite La Carlotta.

GIRY:

Gentlemen, please! If you would kindly move to one side?

LEFEVRE:

My apologies, Mme. Giry.

Mme. Giry, our ballet mistress.

I don't mind confessing, M. Firmin, I shan't be sorry to be rid of the

whole blessed business.

FIRMIN:

I keep asking you, monsieur, why exactly are you retiring?

LEFEVRE:

We take a particular pride here in the excellence of our ballets.

ANDRE:

Who's that girl, Lefevre?

LEFEVRE:

Her? Meg Giry, Madame Giry's daughter.

Promising dancer, M. Andre, most promising.

GIRY:

You! Christine Daa?! Concentrate, girl!

MEG:

Christine... What's the matter?

FIRMIN:

Daa?? Curious name

LEFEVRE:

Swedish.

ANDRE:

Any relation to the violinist?

LEFEVRE;

His daughter, I believe.

Always has her head in the clouds, I'm afraid.

CHORUS:

Bid welcome to Hannibal's guests-the elephants of Carthage!

As guides on our conquering quests, Dido sends Hannibal's friends!

CARLOTTA:

Once more to my welcoming arms my love returns in splendour!

PIANGI:

Once more to those sweetest of charms my heart and soul surrender!

CHORUS:

The trumpeting elephants sound-- hear, Romans, now and tremble! Hark

to their step on the ground-- hear the drums! Hannibal drums!

LEFEVRE:

Ladies and gentlemen- Madame Giry, thank you- may I have your

attention, please?

As you know, for some weeks there have been rumours of my Imminent

retirement.

I can now tell you that these were all true and it is my pleasure to

introduce to you

the two gentlemen who now own the Opera Populaire, M. Richard Firmin

and M. Gilles Andre.

Gentlemen, Signora Carlotta Giudicelli, our leading soprano for five

seasons now.

ANDRE:

Of course, of course. I have experienced all your greatest roles,

Signora.

LEFEVRE:

And Signor Ubaldo Piangi.

FIRMIN:

An honour, Signor.

ANDRE:

If I remember rightly, Elissa has a rather fine aria in Act Three of

"Hannibal".

I wonder, Signora, if, as a personal favour, you would oblige us with a

private rendition?

Unless, of course, M. Reyer objects...

CARLOTTA:

My manager commands... M. Reyer?

REYER:

My diva commands. Will two bars be sufficient introduction?

FIRMIN:

Two bars will be quite sufficient

REYER:

Signora?

CARLOTTA:

Maestro.

CARLOTTA:

Think of me, think of me fondly

when we've said goodbye...

Remember me, Every so often,

Please promise me you'll try...

On that day, that not so distant day,

when you are far away and free,

if you ever find a moment, spare a thought for me...

Think of me, think of me...

CHORUS:

The Phantom of the Opera! He's with us, he's a ghost...

He's here! The Phantom of the Opera!

LEFEVRE:

Signora! Are you all right? Buquet! Where is Buquet? Get that man down

here! Chief of the flies. He's responsible for this.

Buquet! For God's sake, man, what's going on up there?

BUQUET:

Please monsieur don't look at me:

as God's my witness,I was not at my post.

Please monsieur, there's no one there:

and if there is, well then, it must be a ghost...

MEG:

He's there; the Phantom of the Opera...

ANDRE:

Good heavens! Will you show a little courtesy?

FIRMIN:

Mademoiselle, please...

ANDRE:

These things do h***en!

CARLOTTA:

Si! These things do h***en! Well, until you s*** these things

h***ening, this thing does not h***en!

Ubaldo! Andiamo!

PIANGI:

Amateurs!

LEFEVRE:

I don't think there's much more to assist you, gentlemen. Good luck.

If you need me, I shall be in Frankfurt.

ANDRE:

La Carlotta will be back.

GIRY:

You think so, messieurs? I have a message, sir, from the Opera Ghost.

FIRMIN:

God in Heaven, you're all obsessed!

GIRY:

He merely welcomes you to his opera house

and commands you to continue to leave Box Five empty for his use

and reminds you that his salary is due.

FIRMIN:

His salary?

GIRY:

Monsieur Lefevre paid him twenty thousand francs a month.

Perhaps you can afford more, with the Vicomte de Chagny as your patron.

ANDRE:

Madame, I had hoped to have made that announcement myself.

GIRY:

Will the Vicomte be at the performance tonight, monsieur?

FIRMIN:

Yes, in our box.

ANDRE:

Madame, who is the understudy for this role?

REYER:

There is no understudy, monsieur- the production is new.

MEG:

Christine Daae could sing it, sir.

FIRMIN:

The chorus girl?

MEG:

She's been taking lessons from a great teacher

ANDRE:

From whom?

CHRISTINE:

I don't know, sir...

FIRMIN:

Oh, not you as well! Can you believe it?

A full house- and we have to cancel!

GIRY:

Let her sing for you monsieur. She has been well taught!

REYER:

From the beginning of the aria then, mam'selle.

Think of Me

CHRISTINE:

Think of me, think of me fondly, when we've said goodbye. Remember me

every so often-- promise me you'll try.

FIRMIN:

Andre, this is doing nothing for my nerves.

ANDRE:

Don't fret, Firmin.

CHRISTINE:

On that day, that not so distant day, when you are far away and free,

if you ever find a moment, spare a thought for me...

And though it's clear, though it was always clear that this was never

meant to be, if you h***en to remember, s*** and think of me....

Think of August when the trees were green- don't think about the ways

things might have been...

Think of me, think of me waking, silent and resigned. Imagine me,

trying too hard to put you from my mind. Think of me, please say you'll

think of me, whatever else you choose to do-- There will never be a

day when I won't think of you...

RAOUL:

Can it be? Can it be Christine? Brava!... Brava!

Long ago... It seems so long ago... How young and innocent we were

... She may not remember me, but I remember her...

CHRISTINE:

Flowers fade, the fruits of Summer fade-- they have their season, so

do we... But please promise me that sometimes, you will think......

of me!

GIRY:

Yes, you did well. He will be pleased.

(to the DANCERS) And you! You were a disgrace tonight!

Such ronds de jambe! Such temps de cuisse! Come, we rehearse. Now!

Angel of Music

PHANTOM:

Brava, brava, bravissima...

MEG:

Where in the world have you been hiding?

Really, you were perfect!

I only wish I knew your secret!

Who is this new tutor?

CHRISTINE:

Father once spoke of an angel...

I used to dream he'd ***ear

个体值（日文︰个体値こたいち，英文︰Individual values，简称IV）是宝可梦游戏专用名词，是参与决定每只宝可梦能力的一组数值。个体值与生俱来，无法改变，是每只宝可梦的一个**参数。个体值是在刚遇到的时候就已经确定的数值，也是无法在游戏中改变的数值。个体值越高，能力越高。它在任何两只宝可梦间都是可能存在差距的。它分为六项，分别是HP,物理攻击力，物理防御力，速度，特殊攻击力和特殊防御力。

影响：在游戏中捕获的同等级同种类的宝可梦，就算*格相同，其能力值也会有所差别，产生这种差异的根源就是个体值。在初次见到、获得某只宝可梦或者宝可梦的蛋的同时，它的个体值就被确定了，就算是进化了也不会改变。在爱好者群体中，通常用32进制表示第三世代及之后的宝可梦的个体值，并在前面加上此项数值的数目，通常V（31）和U（30）比较常用，T（29）较少用，S（28）及更低的则不会标出。如，3V2U代表一只宝可梦有三项个体值是31，有两项个体值是30，5V代表宝可梦有5项个体值是31。

在宝可梦漆黑的魅影5.0中，个体值无法被刷出。这意味着玩家无法通过任何手段提高个体值，只能接受游戏中宝可梦的随机个体值。游戏中的宝可梦个体值是固定的，无法通过训练或使用特定道具来提升。每只宝可梦出生时就已经拥有了属于自己的个体值，这些数值决定了宝可梦在游戏中的基础能力。

个体值对宝可梦的实力有着重要影响。在宝可梦对战中，个体值较高的宝可梦往往能在战斗中占据优势。因此，了解并*悉个体值的概念，有助于宝可梦训练师更好地理解宝可梦的能力。虽然在漆黑的魅影5.0中无法刷出个体值，但玩家仍可以通过选择个体值较高的宝可梦来提升队伍的整体实力。

值得注意的是，虽然个体值无法被刷出，但宝可梦的等级、经验值和进化状态仍会影响其能力值。因此，玩家可以通过训练宝可梦提升其等级和经验值，从而提高其基础能力值。此外，玩家还可以通过使用特定的道具和训练方法，进一步提高宝可梦的能力值，使其在战斗中更具优势。

在宝可梦漆黑的魅影5.0中，个体值的不可改变*为游戏增加了更多挑战和乐趣。玩家需要通过选择个体值较高的宝可梦、提升其等级和经验值，以及使用特定道具和训练方法，来*大化宝可梦的潜力。这些策略和技巧不仅提高了游戏的策略*和趣味*，也让玩家在游戏中更好地理解宝可梦的个体值和能力值之间的关系。